The latest
Ryan Reynolds' immortality thriller "Self/Less" is disappointingly soul/less
Tarsem Singh is a man who spent about four years and much of his own money traveling the globe's most outrageously beautiful locales in order to make his magnum opus "The Fall." So how'd he end up standing behind the camera of "Self/Less," an utterly anonymous and impact-free immortality action-thriller that - much like the fresh if not quite new bodies being peddled in the film - seems "alive only in the most basic sense"?